This blog is created by the fanclub of composer Thaneco. Here we present great albums of Vintage Electronica , Krautrock, Space Rock, and Experimental music. Please show your support by visiting: http://thaneco.bandcamp.com/ Buy any of Thaneco's cds to show your love to this blog! Thank you!
Monday, October 18, 2010
Van Der Graaf Generator - Trisector (2008)
The great comeback of Van der Graaf Generator (i believe it's the 11th studio album). A simple line-up (organ-guitar-bass-drums) but nevertheless quite good. Don't miss it!
Saturday, October 16, 2010
Van Der Graaf Generator - Pawn Hearts (1971)
Tuesday, October 12, 2010
Psychedelic Diamonds (psych-krautrock compilation)
Monday, October 11, 2010
The West Coast Pop Art Exp Band - Vol.3 (1968)
The West Coast Pop Art Exp Band - Vol.2
Sunday, September 26, 2010
The West Coast Pop Art Exp Band - Vol.1 (1967)
Don't miss it
Here
Sunday, September 19, 2010
The Love Machine - Electronic music to blow your mind by!!! (1968)
thaneco - thaneco
Tuesday, September 14, 2010
A.R. Machines - Eine Grune Reise, Erholung (1971)
A.R. Machines is Achim Reichel's progressive-krautrock solo project.
Achim Reichel (born on January 28, 1944) is a musician, producer and songwriter from Hamburg, Germany. He is known for his 1991 single "Aloha Heja He", as well as for having fronted British Invasion-influenced band The Rattles, who, among other achievements, were selected to open for The Beatles on the Fabs' last-ever tour of Europe in 1966.
In 1968, he co-founded the psychedelic rock group Wonderland which also included English ex-patriate Les Humphries who would soon start his own Les Humphries Singers. In 1971, Reichel left the group for his own progressive Krautrock solo project, A. R. & Machines, of which the first album Die grüne Reise (The green journey) was critically acclaimed and likened to bands such as Kraftwerk and Tangerine Dream. Since 1975, Reichel has taken a keen interest in recording traditional German songs and classic poetry as modern-style music, which includes such albums as Dat Shanty Alb'm (1975), Klabautermann (1977),Regenballade (1978), Fledermaus (1988), Melancholie & Sturmflut (1991, including the hit Aloha Heja He), Wilder Wassermann (2002), and Volxlieder (2006).
1. Globus (Globe) (2:56)
2. In The Same Boat (2:06)
3. Schönes Babylon (Beautiful Babylon) (5:01)
4. I'll Be Your Singer, You'll Be My Song (Ich Bin Dein Sänger, Du Bist Mein Lied) (2:25)
5. Body (1:57)
6. A Book's Blues (1:39)
7. Als Hätt Ich Das Alles Schon Mal Gesehen (As If I Had Seen All This Before) (5:31)
8. Cosmic Vibrations (4:41)
9. Come On, People (2:53)
10. Wahrheit Und Wahrscheinlichkeit (Truth And Probability) (11:40)
Total time: 40:49
Matching Mole - Little Red Record
Matching Mole's Little Red Record (1972) is the second album of the English Canterbury Scene band Matching Mole. The band was formed in 1971 by Robert Wyattafter he left Soft Machine. Compared to their first album, Little Red Record was more of a team effort, with Wyatt taking a less involved role. It was produced by Robert Fripp of King Crimson, and features Brian Eno as a guest musician.
The album title refers to Chairman Mao's Little Red Book. This reference is also carried over to the faux-Chinese style of the album cover, which is reminiscent of posters created during the Chinese Cultural Revolution.
My favourite track of this record is "God song" - clever guitar chord progression and excellent lyrics - perfect example of Whyatt's genius. Also Brian Eno's synth fx create dark and mysterious atmosphere.
Songs / Tracks Listing
1. Starting in the Middle of the Day, We Can Drink Our Politics Away (2:31)
2. Marchides (8:25)
3. Nan True's Hole (3:36)
4. Righteous Rhumba (2:50)
5. Brandy as in Benj (4:24)
6. Gloria Gloom (8:06)
7. God Song (2:59)
8. Flora Fidgit (3:26)
9. Smoke Signal (6:37)
Line-up / Musicians
- Dave McRae / grand piano, electric piano, Hammond organ
- Robert Wyatt / drums, mouth
- Phil Miller / guitars
- Bill MaCormick / bass
GUEST:
- Brian Eno / synthesizers
Saturday, September 11, 2010
Matching Mole - Matching Mole (1972)
Thursday, September 2, 2010
Caravan - In the land of grey and pink (1971)
1. Golf girl (5:05)
2. Winter wine (7:46)
3. Love to love you (and tonight pigs will fly) (3:06)
4. In the land of grey and pink (4:51)
5. Nine feet underground: (22:40)
- Nigel blows a tune
- Love's a friend
- Make it 76
- Dance of the seven paper hankies
- Hold grandad by the nose
- Honest I did!
- Disassociation
- 100% proof
Total Time: 43:28
Tuesday, August 31, 2010
Novalis - Sommerabend
Monday, August 30, 2010
Cosmic Jokers - Cosmic Jokers (1974)
Cosmic Jokers - Sci-Fi Party (1974)
Songs / Tracks Listing
1. Im Reich der Magier (8:27)
2. Der Herrscher (2:48)
3. The Cosmic Curriers meet South Philly Willy (5:25)
4. Kinder des Alls I (3:40)
5. The electronic scene (2:23)
6. Kinder des Alls II (3:43)
7. Interplay of forces (5:13)
8. Planeten sit-in (3:15)
Line-up / Musicians
- Dieter Dierks / bass
- Jürgen Dollase / keyboards, vocals
- Manuel Göttsching / electric guitar
- Harald Großkopf / drums
- Klaus Schulze / synthesizers
Saturday, August 28, 2010
Cosmic Jokers - Galactic Supermarket
The Cosmic Jokers was never an ensemble, per se; its members did not play together as Cosmic Jokers, and in fact were not even asked to join the group. Their music was created from sessions put together byRolf-Ulrich Kaiser early in 1973. He arranged for several acid parties to be held at the sound studio owned by Dieter Dierks, where musicians were offered drugs in exchange for recording tracks. Participants included Manuel Göttsching and Klaus Schulze of Ash Ra Tempel, Jurgen Dollase and Harold Grosskopf of Wallenstein, and Dierks. Prior to this, all of the musicians involved had been in the Cosmic Couriers, which had played on experimental recordings by Sergius Golowin, Walter Wegmüller, and Timothy Leary.
Kaiser took the tapes from these sessions, edited and mixed them with Dierks, and released them on his label, Kosmische Musik, complete with the musicians' pictures on the LP sleeve, without asking for their permission. Göttsching didn't find out about the record release until he heard it playing in a record store in Berlin and asked the counter help what was playing. Kaiser released five records under the name Cosmic Jokers in 1974, one of which was actually a label sampler and a second, Gilles Zeitschiff, consisted of Kaiser's then-girlfriend Gille Lettmann speaking over sounds taken from prior label releases. While none of the musicians were very happy with the recordings, Schulze was so angry after the release of Gilles Zeitschiff that he sued Kaiser. In 1975, Kaiser was forced to discontinue and withdraw the recordings, and he fled the country over the affair, abandoning the record label over the threat of impending legal problems.
Agitation Free - Malesch (1972)
Genre: Ethnic
Release Info: 1992 CD Reissue SPALAX 14250
Lutz Ulbrich, guitars, zither, Hammond; Jörg Schwenke, guitar; Michael Hoenig, synthesizer, electronic devices, steel guitar; Michael Günther, bass, tapes; Burghard Rausch, drums, marimbaphone, vocals; with Uli Popp, percussion; Peter Michael Hamel, Hammond
Wednesday, August 25, 2010
Agitation Free - Second (1973)
Agitation Free was a German experimental krautrock band. The band was formed in 1967 with Michael "Fame" Günther (bass), Lutz "Lüül" Ulbrich (guitar), Lutz Ludwig Kramer (guitar) and Christopher Franke (drums). They were initially called Agitation, a name they chose at random from a dictionary. The name later changed to Agitation Free as a reflection of their live performance style.
After losing guitarist Axel Genrich to Guru Guru in 1970 and drummer Christopher Franke to Tangerine Dream in 1971, the band recruited Jörg "Joshi" Schwenke (guitar), Burghard Rausch (drums), and Michael Hoenig (keyboards). They released their debut album, Malesch in 1972 on the Music Factory label. The album was inspired by their tour through Egypt, Greece, and Cyprus, sponsored by the German Goethe Institute. Later that year, they performed at the 1972 Munich Olympics.
A second album was released in 1973, but the band disbanded in 1974. Agitation Free reunited in 1998 and released River Of Return in 1999
Agitation Free's music is psychedelic, experimental krautrock with elements of spaced-out ambient, experimental electronic, and drone. Their music for the most part consists of driving organ-patterned drone-like rock; seamless psychedelic cosmic musical textures with intricate musicianship and musical variety; hard, driving rock similar to Amon Duul II but more compelling, refined, and developed; and jamming that occasionally invokes the interplay and styles of Garcia, Weir and Lesh of The Grateful Dead and hints at a blues rock base not unlike The Allman Brothers Band. Their music features frequently great musical interplay and great playing, great textures, melodies and grooves. Many of their songs have a trance-inducing, psychedelic feel with sections of driving rock fueled by fiery and melodic moving guitar lines and solid, propelling and intricate drumming and a prominent bass. All of Agitation Free's Songs are instrumental apart from some recitation on "Haunted Island".
The Pentangle - Sweet Child (British Folk/Jazz)
Hawkwind - Church Of Hawkwind
Hawkwind - Hall of the mountain grill (1974)
Tuesday, August 24, 2010
Hawkwind - Do Re Mi Fa Sol La Ti do
Prepare to fly into space with this legendary progressive rock lp from hawkwind.
Aphrodite's Child - 666
Greek Psychedelic space-rock band Aphrodite's Child began to record "666" late in 1970: a musical adaptation of the biblical Book of Revelation. Koulouris, having finished his Greek army duty rejoined the band. However, relations between all the band members were not good at the time, and continued to worsen during the album's creation.
Essentially, 666 was Vangelis' concept, created with an outside lyricist, Costas Ferris. The music that Vangelis was creating for 666 was much more psychedelic and progressive rock oriented than anything the band had done before.This did not sit well with the other band members, who wished to continue in the pop direction that had brought them success.Furthermore, Roussos was being groomed for a solo career, and recorded his first solo single "We Shall Dance" (with Sideras on drums), and his first solo album On the Greek Side of My Mind, whereas Vangelis recorded the score forL'Apocalypse des animaux and worked on a single with his girlfriend Vilma Ladopoulou, performing with Koulouris using the pseudonym 'Alpha Beta'.
By the time the double album 666 finally was released in June 1972, and having sold over 20 million albums,the band had already split.Both Vangelis and Roussos pursued successful solo careers, Roussos as a pop singer and Vangelis in electronic music. Koulouris worked with both on occasion. Sideras pursued a less successful solo career, releasing an album and the single "Rising Sun" after the break-up.
Here (FLAC FILE - PRESS CONTINUE WHEN YOU SEE THE NEXT SCREEN)